Sunday, December 25, 2011

Holiday Wishes

As children of the TV era, our perception of Santa and Christmas was shaped by the media, with the yearly ritual viewing of cartoons such as "Charlie Brown" , "The Grinch", and others.  Through these cartoons, we learned that Christmas was supposedly more than just about receiving gifts; however, the moral impact of these lessons was tempered by the fact that they were brought to us by Hasbro and Mattel.  Despite what the Grinch said, Christmas clearly DID come from a store.  In “Rudolph the Red-Nosed Reindeer”, we were presented with the mythology of Santa, portrayed as a grumpy corporate CEO more concerned with the bottom line than the well-being of his elves or reindeer.  He never seemed very kindly and was not particularly benevolent; in fact, he was downright discriminatory.  I was always secretly sad when I thought about the Island of Misfit Toys, and wondered why Santa would give presents to some children around the world but not to others.   It seemed very selective to me, and not at all fair, even though Santa generally brought me most of the items on my "wish list". 

Christmas morning was always a Who-like frenzy of ripping colorful paper and opening box after box of toys (and the occasional dress from an aunt).  And the noise, noise, noise, NOISE!  But by the end of the day, no matter how many toys we received we had played with them all -- and with nothing left but our imaginations we played with the boxes.   

Like Charlie Brown, many people feel let down during the holidays.  We wonder what is missing, and we wish we could find out what it is that we really wish for.   We don’t even know what we’re celebrating any more.  Somehow now the aluminum Christmas trees sound hollow, the sparkling colored lights appear garish, and the carols are beginning to get on our nerves.   What was it that Linus said…before they cut to a commercial?

In these economically challenged times, we realize that it's impossible for all our Christmas wishes to be fulfilled.  For small theaters such as Chronos Theatre Group, Santa has left us nothing under the tree this year.  Fortunately, unlike larger theaters, we don’t need very many toys to play with.  And through long experience playing with just empty boxes we have had the opportunity to use our imaginations to a greater extent than larger theaters with their high  operating costs.  So, since we're used to making do with very little we don't expect much from Santa, and we're fine with that.

The best presents, we're taught, come from the heart.  However, our society tends to equate money with value, so theaters with large budgets are somehow seen as intrinsically more worthy than smaller organizations.  Yet like the most meaningful gifts, true art is not valued strictly in financial terms.  Fancy packaging and advertising don't make Christmas cookies from Williams-Sonoma better than fresh homemade ones in a tin from the 99 cent store.  Sometimes money can be a restriction and even a burden, especially when financial or corporate interests determine the artistic direction of a theater or individual artist.  Thus, our situation as a small theatre with a very low budget allows us a sort of artistic freedom in which we can take creative risks, producing work which is not necessarily determined by the financial bottom line. 

We realize that every theater in town has requested donations this year, and money definitely would come in handy.  But even if you don't have any cash to donate, you can still help support Chronos -- and other small theaters in San Diego -- in a number of ways.  Our wish list reflects our pressing needs as a theater, and offers creative ways in which you as an individual or small business can help us in 2012.  As a 501(c)3 non-profit organization, all donations are tax-deductible, so we are trying to encourage not just financial but in-kind donations of services, space, and other goods.  

Here are some of our wishes for the New Year:

1.  Storage space for costumes and props.  Right now, we are paying $105 a month, and it will soon go up to $113.  We would love to find a conveniently located storage space, either donated or at a low cost.  We could also share a space with another theater group.  In addition, we have a great selection of period and ethnic costumes available to rent.

2.  Rehearsal space.  This is an ongoing issue, because it is difficult to find free or very low-cost spaces to rent on weeknights or weekends for rehearsals.  The needs can range from a couple of nights for a staged reading to several weeks for a full production.  Ideal spaces would be centrally located, with parking, and would have a large floor space.  Offices or warehouses are perfect after hours.  

3.  Printing and repro services.  We would be willing to promote your business on our website and other media.  We generally need programs, posters, and flyers for readings and full productions.  We also have other ongoing printing needs, such as scripts.

4.  Performance space.  We're always looking for theaters or alternative spaces, including opportunities for site-specific works.   We're also interested in ways we can help other organizations and businesses flourish through an association with the arts.

5.  Attend a show.  If you don't have the posted ticket price, email us and we can find a way for you to see the show at a reduced rate or for free.  We always want to have a good house with a receptive, interested audience.

6.  Volunteer.  There are many ways in which we can use willing people in tech, marketing, house management, and other areas.  You can see shows for free, and you can learn more about the operations of small non-profit theater.

We hope that Santa – or you – can help us fulfill one or more of these wishes this year.  If you can, please email us at info@chronostheatre.com, and we’ll respond promptly.  Or, if you’d prefer, we will gladly accept donations of money. 

Chronos Theatre Group's mission is to explore classical and historical works from a variety of cultures and time periods.  Our extended group of actors, musicians, dancers, artists, and tech people crosses over into other small theaters around San Diego, and as such we share a common goal:  to find opportunities to perform and to produce theater which other people can appreciate.  After years of training and devotion to their craft, professional performers expect and deserve to be paid a decent wage.  For Chronos, our priority this year is to pay our actors and tech people prevailing wages and increase performance opportunities.  Through our multi-cultural ensemble and choices of material, we also hope to attract people who wouldn’t ordinarily go to the theater, thus creating new and diverse audiences who can appreciate and share in the ancient art of theater.

Most of all, our true wish is that through the arts we can become aware of our higher nature and transform the world into a more evolved and peaceful place for everyone.  Here’s to increasing education and teaching kids about the intrinsic value of the arts, and providing greater funding to arts organizations so that artists and performers can share their talents and make a living at their calling.  Let's all join together as performers, artists, and audiences to make this New Year a resounding success artistically and spiritually -- and yes, even financially.

"Welcome, Christmas, while we stand,
Heart to heart and hand in hand."

Wishing all of you a joyous and creative 2012!

Celeste Innocenti
Artistic Director
www.chronostheatre.com






Monday, October 3, 2011

"The Adventures in Madrid" by Mary Pix

Chronos Theatre Group presents a staged reading of
"The Adventures in Madrid"
by Mary Pix
directed by Celeste Innocenti

Monday, October 10th
7:00 p.m.
The 10th Avenue Theatre and Arts Center
930 10th Avenue
San Diego, CA 92101
General admission: $10.00
Reservations: (619) 981-4179 or info@chronostheatre.com
Website: www.chronostheatre.com

The third performance in Chronos Theatre Group’s series of staged readings featuring women playwrights from history is "The Adventures in Madrid", written in 1706 by Mary Pix and directed by Chronos Artistic Director Celeste Innocenti. It is possibly the first performance of this buried treasure since the 18th century, as Chronos has transcribed the play from a photocopy of the original script.

This lively and witty comedy follows the amorous adventures of three English vacationers in Spain. The clever plot contains cross-dressing and national disguises and plays with stereotypes of culture and gender. In the play, the Spanish women envy the social and romantic freedom of their English counterparts, and they seek the right of self-determination and the liberty to love as they please. On the other hand, the mystery and intrigue of Old Spain seduces and intrigues the blunt and boastful English. Despite the cultural clash of these historic enemies, the characters overthrow the old social order to form new relationships based on love and personal choice instead of money and family alliances.

The author, Mary Pix, was quite successful in her professional life, and most of her plays were well received by audiences, especially her comedies. As a famous playwright and personality, Mary Pix was satirized, along with two other female playwrights, in an anonymous play, "The Fair Triumvirate of Wits".

The reading features an outstanding local cast: Sherri Allen, Krista Bell, Chris Fonseca, Rhys Greene, Douglas Henderson, Justine Hince, Carla Navarro, John Padilla, David Radford, Orrick Smith, and Gail West.

Chronos Theatre Group is a 501(c)3 non-profit organizations. All donations are tax-deductible.

Saturday, May 28, 2011

"Almyna, or the Arabian Vow" by Delariviere Manley

Chronos Theatre Group presents a staged reading of

"Almyna, or the Arabian Vow"
by Delariviere Manley
directed by Celeste Innocenti

With Greg Batty, Adrian Blount, Anthony Gordon Hamm, Douglas Henderson, Megan Maher, Diego McGhee, David Radford, and Nathan Turner.

Monday, June 7th at 7:00 p.m.
at the
10th Avenue Theatre and Arts Center

930 10th Avenue
San Diego 92101

General admission: $7.50

Seniors/students/military: $5.00

Reservations: (858) 245-3575 or info@chronostheatre.com

Visit our website at 
www.chronostheatre.com for more information or to purchase tickets online using paypal.

The second in our series of staged readings featuring women playwrights from history is "Almyna, or the Arabian Vow", written in 1707 by the colorful female author Delariviere Manley. Alluringly veiled in an exotic Arabian setting, the play is a version of "The Arabian Nights" which makes a strong statement about equality and respect between the sexes. Although the setting is in Arabia, Manley was making a pointed commentary on the sexism of her own English male contemporaries.

In Manley's adaptation, the Sultan of Arabia, vengeful against all women because of his unfaithful queen, has proclaimed that all his brides are to be sacrificed the day after the wedding. Almyna, the eldest daughter of the Grand Vizier, insists on offering herself as the next wife of the Sultan, although she is to be married to his younger brother (who had broken the heart of her younger sister by pursuing Almyna). Through her cleverness, logic, and scholarship, Almyna persuades the mysogynistic yet dashing Sultan of the intelligence and nobility of women.

The playwright herself lived a notoriously free lifestyle even for the liberated period of the early 18thc, and was as famous for her personality and scandalous liaisons as she was for her writing of plays, satirical fiction, and political pamphlets. Today, her work is rarely performed, so this reading is a unique opportunity to experience this entertaining and thought-provoking play.

There will be a short talkback after the reading with the actors and director.

Chronos Theatre Group is a 501(c)3 non-profit organizations. All donations are tax-deductible.

Wednesday, February 23, 2011

Director's Notes: Ivan Rupnik on "Yelizaveta Bam" by Daniil Kharms


TODAY  I  WROTE  NOTHING

It was hard not to notice a tall man parading down the streets of Leningrad in Russia between 1925 -1930, dressed in a tweedy English dandy dress with a Sherlock Holmes cap and pipe. When he went to a tavern or proletarian pubs he made a point of bringing a silver cup in his pocket – with noble insignias, family heirlooms – and drank only from it. Or when he went to the theater, he pasted on a false mustache, saying that it was indecent for a man to go to the theater without one.

Who was this eccentric person? Daniil Kharms (1905 - 1941), a self-styled aristocrat and avant-garde poet, a writer of verse, drama, and fantastic, absurd stories and stories for children. He was a member of the Russian avant-garde circle. He collaborated with a number of writers as well as with other leading artists:  Alexander Vvedensky (writer), Kasimir Malevich (painter), Vladimir Tatlin (illustrator, designer and architect) Shostakovich (music) and many others. In 1928 they founded a new theater movement called OBERIU or Union of Real Art. Kharms’ poetics is described in terms of a collision of words and objects. He works out in experimental, painful, black-humor situations, what might happen if certain kinds of continuities and links between items of experience (memory, for example, in “A Sonnet “) vanished and disappeared. The mechanical and basically vaudevillian circular structure of “The Carpenter Kushakov“ ends in a complete loss of identity, when the carpenter’s neighbors fail to recognize him and refuse to let him into his apartment. Often, he takes an ordinary situation (“A Letter”) and reduces it to absurdity by one or more pseudo - endings or anti - endings and repetitions.

In 1927 he wrote a play “Yelizaveta Bam” which brought to the stage many of the theoretical premises of the OBERIU’s theatrical mission. Yelizaveta Bam is accused of murder by her alleged victim. The action seems often autonomous, unmotivated by any psychology or cause-and-effect structure. The basic framework is the besieging of Yelizaveta Bam, her ignorance of what she is supposed to be guilty of and the nightmarish surprising intervention of “her mother” at the end. It’s a play of turning the two prosecutors against each other, playing tricks on them, storytelling, skits and vaudeville scenes, the fluctuating identity of characters, songs, dances…. from “realistic comedy“, “absurdly comic naïve“ to “solemn melodrama“.  In “Yelizaveta Bam“, chaos, absurdity and nonsense predominate. There is a sharp alternation of slapstick and pathos, merriment and anxiety.

In 1931, Kharms and several friends were arrested and charged with anti-Soviet activities. Their “poetic practice“ was far from the issues involved with “building socialism“. He was jailed for the third time in August, 1941, and later in February, 1942 he died in his cell in the prison’s psychiatric ward. The blockade of Leningrad by Germans already had begun and the prison guards had little to eat themselves, never mind feeding the inmates.

Legend has it that Kharms had predicted that the first bomb to hit Leningrad would fall on his house, and he was only slightly wrong: it fell on to the building next door.

Monday, January 17, 2011

Chronos Theatre Group's 2011 Season

Chronos Theatre Group is busily preparing for its 2011 season. The first production is "Yelizaveta Bam" by Daniil Kharms, a Russian Absurdist play directed by noted Slovenian actor Ivan Rupnik of the Slovenska Mladinsko Theatre (www.mladinsko.com). Performances will be at Swedenborg Hall, 1531 Tyler Avenue 92103, on March 5/6 and 11/12/13. Chronos Artistic Director Celeste Innocenti, who directed it as a reading at the Lyceum Theatre in 2008, will play the title character, and it also features Chronos Theatre Associate Artists George Weinberg-Harter, Gail West, Carla Navarro, and Justine Hince, along with Bonnie Stone, David Radford, and Chris Fonseca.

The Women's Playwright series of staged readings gets underway in April with "The Election" by Joanna Baillie, directed by Justine Hince. In September, Chronos plans a full production of "Peace" by Aristophanes, directed by Doug Hoehn and Celeste Innocenti. Chronos presented it as a reading in 2007 at The Lyceum, and Associate Artist Anthony Hamm will again play the main character, Trygaeus, who flies to heaven on the back of a giant dung beetle in search of Peace.

Chronos also continues its partnership with Fiesta de Reyes in Old Town San Diego, and plans a series of interesting events, including a Dickens playreading series and other performances.

For more information, check out the website at www.chronostheatre.com, find us on facebook (Chronos Theatre and Chronos Theatre Group), or email us at info@chronostheatre.com with questions or comments.